ไฟล์เสียงปลอดค่าลิขสิทธิ์ 10,156 ไฟล์สำหรับ "Drum And Bass"

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Rockers variant of the one drop rhythm, sixteenth-note one-drop pattern with bass drum on all eighths.
ผู้เขียน: Hyacinth
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Reggae one drop drum pattern, sixteenth note variation.
ผู้เขียน: Hyacinth
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D-beat drum pattern 1.
ผู้เขียน: Created by Hyacinth (talk) 16:27, 27 April 2010 using Sibelius 5.
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The 'D-Beat' in musical notation.
ผู้เขียน: Created by Hyacinth (talk) 16:27, 27 April 2010 using Sibelius 5.
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D-beat drum pattern 3.
ผู้เขียน: Created by Hyacinth (talk) 16:28, 27 April 2010 using Sibelius 5.
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D-beat drum pattern 2a.
ผู้เขียน: Created by Hyacinth (talk) 16:27, 27 April 2010 using Sibelius 5.
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Roland CR-78, Rhumba beat with metallic effect. Note on playing this audio clip This audio clip is an en:Ogg Vorbis file. For a list of compatible media players, see the article at [1].
ผู้เขียน: Ianmacm at English Wikipedia
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D-beat drum pattern 2b.
ผู้เขียน: Created by Hyacinth (talk) 16:27, 27 April 2010 using Sibelius 5.
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Mozambique primary bell pattern above a rumba clave. A two bell pattern played on the body and rim of a single mambo bell or high and low bongo or cha-cha bells.
ผู้เขียน: Created by Hyacinth (talk) using Sibelius 5.
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Rosanna shuffle.
ผู้เขียน: Created by Hyacinth (talk) 23:09, 31 October 2010 using Sibelius 5.
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Lament bass from Vivaldi's motet "O qui coeli terraeque serenitas" RV 631, Aria No. 2. Created by Hyacinth (talk) 22:25, 18 April 2010 using Sibelius 5.
ผู้เขียน: The original uploader was Hyacinth at English Wikipedia.
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Chromatic fourth: lament bass bassline in Dm (D-C♯-C(♮)-B-B♭-A).
ผู้เขียน: The original uploader was Hyacinth at English Wikipedia.
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*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74
ผู้เขียน: Hyacinth
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*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69
ผู้เขียน: Hyacinth
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*Eight-hundred-forty-fifth harmonic on C = A♭. Just: 845/512 = 867.37 cents. Limit: 5-limit. MIDI pitch bend: 71,53
ผู้เขียน: Hyacinth
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*68921st harmonic on C = B♯. Equal-tempered: 268921/65536:1 = 87.19 cents. Limit: 41-limit. MIDI pitch bend: 115,59
ผู้เขียน: Hyacinth
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*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7
ผู้เขียน: Hyacinth
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6/8 clave, third form (rumba clave)
ผู้เขียน: Hyacinth
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Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
ผู้เขียน: Hyacinth
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6/8 clave, second form (son clave)
ผู้เขียน: Hyacinth
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Wohlbekannte Melodie mit Oktavsprüngen
ผู้เขียน: Membeth
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Standard bell pattern.
ผู้เขียน: Created by Hyacinth (talk) 22:51, 19 April 2010 using Sibelius 5.
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{{ennoin divisive form. Created by Hyacinth (talk) 05:09, 4 February 2012 (UTC) using Sibelius 5.}}
ผู้เขียน: Hyacinth at English Wikipedia
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Rumba Clave Pattern in duple time.
ผู้เขียน: Hyacinth
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Son Clave Pattern in triple time.
ผู้เขียน: Hyacinth
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Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
ผู้เขียน: Hyacinth
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Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
ผู้เขียน: Hyacinth
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langsamere Variante der authentischen Kadenz
ผู้เขียน: Benutzer:Roomsixhu
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clave pattern in 5/2
ผู้เขียน: Hyacinth
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clave pattern in 7/4
ผู้เขียน: Hyacinth
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6/8 clave, first form (standard pattern)
ผู้เขียน: Hyacinth
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Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
ผู้เขียน: Hyacinth
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Holberg Suite, prelude, bars 1-2, piano version
ผู้เขียน: Grieg
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Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.
ผู้เขียน: Membeth
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Holberg Suite, Prelude bars 31-4 piano version
ผู้เขียน: Grieg
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The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.
ผู้เขียน: Original uploader was Denelson83 at en.wikipedia.
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Franck Violin Sonata first movement, bars 1-8
ผู้เขียน: Cesar Franck
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Deutsch's scale illusion. Two complex melodies are played, first separately from separate channels, then simultaneously.
ผู้เขียน: Mysid
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Wohlbekannte Melodie
ผู้เขียน: Membeth
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Debussy, the Snow is Dancing, Bars 34-38
ผู้เขียน: Debusssy
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Debussy, from 'General Lavine - eccentric'
ผู้เขียน: Debussy
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Holberg Suite, prelude bars 31-4 string version
ผู้เขียน: Untitled
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Melodie.linear + Melodie.salical gleichzeitig
ผู้เขียน: Membeth
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Holberg Suite prelude bars 1-2 string version
ผู้เขียน: Untitled
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3-2 Son Clave Pattern in duple time.
ผู้เขียน: Hyacinth
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Habanera rhythm in the bass (cello) from the "Habanera" aria in Carmen.
ผู้เขียน: Hyacinth
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Ninth chord resolutions as recommended by Schoenberg based on the rules for seventh chords: dissonances resolve downwards and the fifth rises to the first scale degree. Root position (A), First inversion (B), Second inversion (C), Third inversion (D), and Fourth inversion, all V9-I, followed by a nondominant example in root position: I9-IV (E).
ผู้เขียน: Hyacinth
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Claude LeJeune, Revoici venir du printemps
ผู้เขียน: Claude LeJeune
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The musical rhythm known as son clave. My own work, on 2006-01-08, and public domain.
ผู้เขียน: No machine-readable author provided. Cjb~commonswiki assumed (based on copyright claims).
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Campana (Spanish: "bell") bell pattern below a 2-3 clave rhythm.
ผู้เขียน: Created by Hyacinth (talk) 23:19, 1 April 2010 using Sibelius 5.
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